The MUSYSIC MU-PRE2H is professional sound processor pre-amplifier is designed to serve you with the best possible audio output with clarity and details. The bass, midrange, treble, loudness, and balance controls on this MUSYSIC MU-PRE2H pre-amplifier helps you make easy adjustments to the sound as per your listening preferences. The microphone input jack allows using this Stereo control pre-amp with an external microphone and also offers utmost control with microphone level control. Also, this MUSYSIC MU-PRE2H pre-amplifier features a power on/off switch with led indicator for easy-to-use convenience. Use the master volume control on this Stereo control pre-amp to adjust the volume of the sound according to your requirements. What’s more, the Aux/MP3, Tuner, USB/SD/BT and Phono input RCA jacks further enhance the connectivity options in the MUSYSIC MU-PRE2H.

Rockville PPA20 Rack Mount Pre-Amplifier
1U Rack Size
1/4″ microphone input
RCA PHONO / AUX1 / AUX2 / AUX3 / AUX4 / AUX5 inputs
1/4″ headphone output
RCA REC / LINE outputs
XLR master output ( left, right )
Headphone volume & Microphone volume controls
3 band EQ (Treble / Mid / Bass)
Master volume
L / R balance
Input source switch
Mono / Stereo switch
Mute
Low cut crossover control allows you to cut off certain frequencies which comes in handy when using turntables, subs, and other gear. This function will allow you to play your music louder, with lower distortion and make your speakers last longer
Treble / Bass control
Loudness compensation circuit which at low-to-medium volume boosts the bass and treble response
Tape Monitor
Ground lift switch
Unit dimensions: 18.89” x 6.49” x 1.73” inches
Unit weight: 4.43 lbs
Shipping dimensions: 20.47” x 8.46” x 4.33” inches
Shipping weight: 5.73 lbs
110/220 switchable power supply (fuse: 0.2A)

Pyramid Model : PR2500

Stereo Control Pre-Amplifiers

Product Description

Ultra-Compact 9-Band Graphic Equalizer with FBQ

Amazon.com

If we all lived in a perfect world, there would be no need for audio equalization. Sound systems would be perfect and would reproduce perfect signals in all their glorious perfection. Also, everyone in that perfect world would like the same amount of bass, midrange and high frequency, and there would be no such thing as feedback. But the world isn’t perfect, is it? Even the best sound system can benefit from the use of a good EQ–like the FBQ800.

Even the best sound system can benefit from the use of a good EQ. Click to enlarge.

1/4-inch and RCA inputs and outputs.

Nine steps of graphic EQ.

How Does it Work?
Imagine the frequency range of the sound you hear as a highway, a very wide one with nine lanes. Each of these “lanes” represents a single octave of the sonic spectrum. The first four lanes, labeled 63 – 500 (Hz) contain the really low frequency sound content, mainly bass, bass vocals, and the kick and tom drums. The three lanes labeled 1 k, 2 k and 4 k (Hz), make up the fundamental zone of most musical instruments and the male and female vocals. 8 k and 16 k cover the frequency range of cymbals, snare drums and higher pitched percussion instruments. The FBQ800 allows you to control the flow of audio traffic in each of these nine lanes. When properly applied, EQ makes it possible to hear all of these frequency ranges equally, thus the term equalization.

Feedback Elimination
When a specific frequency, or range of frequencies, reaches too high a level, feedback occurs–that all-too-familiar squeal or howl you get when the mic is too close to the speaker. Basically, feedback happens when there is so much of a particular frequency that it is picked up by the mic and run through the system again. That’s why feedback typically gets louder and louder the longer it’s allowed to occur. Needless to say, this kind of feedback is very undesirable.

This is where the FBQ800’s Feedback Detection System really works its magic. In this ingenious circuitry, LEDs on the individual faders light up when that frequency band is approaching the danger zone. All you need do is lower the illuminated slider until the LED blinks out–voilá, feedback problem solved! What once required a highly trained ear is now an activity that even a child can master.

Sonic Toolkit
That really is the best way to describe the FBQ800. With its nine frequency bands, you easily fine-tune your sound and instantly eliminate feedback. And each fader can be used to boost or cut the frequency range it controls by as much as 12 dB (and that’s a lot!).

Special attention is paid to the low frequency zone. In addition to low frequency faders, the FBQ800 features a Low Cut filter for removing unwanted low frequencies such as fl oor rumble, room resonance, electrical hum, etc. This is especially handy if your system is being used for speech rather than music.

To Boost or to Cut, That is the Question
Raising and lowering specific frequency bands can improve the frequency response of any room’s acoustics. For instance, if the room you’re in is “bass-heavy,” lowering the 63 and 125 Hz faders can help eliminate an overall “boomy” or “muddy” sound. Likewise, gently boosting the 8 and 16 k sliders can add sparkle to a somewhat “dark” mix. Are the vocals getting lost in the mix? Raising the level of the 1 k slider can help bring them out.

It’s important to note that raising a single fader level is not always the best solution; it’s often better to lower the bands surrounding the frequency you want to bring out, and then boost the overall volume level to achieve better headroom.

Built for Accuracy and Reliability
Speaking of headroom, FBQ800’s 6-digit LED Input/Output meters and level control are provided for precise level maintenance. Longterm reliability is ensured, thanks to high-quality illuminated faders and switches, and our ultra low-noise audio operational amplifiers provide outstanding sonic performance. In addition, all Mini Series components may be stacked to create an ultracompact signal processing solution.

What’s in the Box
Behringer FBQ800 Ultra-Compact 9-Band Graphic Equalizer, Power Supply, User’s Manual

ART DJPREII Phono Preamplifier

Overview
Designed to amplify and EQ your vinyl records, the DJ PRE II from ART allows you to play and record into a variety of sources including your digital audio workstation, sound card, home stereo, or main monitor system.The DJ PRE II features a switched (100pF / 200pF) analog capacitance to optimize your phono cartridge response. A low cut filter removes turntable rumble, while leaving the audio pristine. The front gain control and signal/clip LED allow you to optimize the preamp’s gain for a wide range of input sources.Plus a Pearstone 2 RCA Male to 2 RCA Male Audio Cable (3′)

In the box

ART DJ Pre II Turntable Phono Preamplifier with RIAA EQ
• Power Adapter
• 3-year Limited Warranty

Pearstone 2 RCA Male to 2 RCA Male Audio Cable (3′)
• 3-Year Warranty